Château de Pommard Introduces Three New Wine Experiences

August 9, 2018 by evebushman Leave a Comment

Château de Pommard is introducing three new Wine Experiences to teach consumers the professional secrets of tasting, pairing and selecting wines. The Tasting Experience, Climats Experience and Gourmet Experience have been created by the domain’s new Director of Wine Education, Vanessa Guébels, a Wine and Spirit Education Trust (WSET) Diploma graduate.

“Wine consumers today are passionate, not only about great regions and vintages but also about the understanding it takes to navigate the complex world of fine wine,” commented Michael Baum, CEO, and Propriétaire of Famille Carabello-Baum. “With wine knowledge comes wine enjoyment and visitors to Burgundy are thirsty for both.”

Guests participating in the Tasting Experience will learn, in just 45 minutes, the WSET systematic method for professional tasting and gain the confidence in describing wines using the language of professional sommeliers. The Climats Experience lasts 60 minutes, during which, the complex array of Burgundy villages and wines are explained. Guests are empowered with a grasp of the true meaning of terroir. The Gourmet Experience offers each visitor the opportunity to travel the world and build a foundation for matching fine wines with international cuisine. This, 90-minute workshop, hosted by WSET trained Wine Advisors, was developed by Ms. Guébels and Château de Pommard’s award-winning winemakers to encourage a methodical approach to food and wine pairing.

“The opportunity to combine the unparalleled wine knowledge in Burgundy with consumer experiences is a wine educator’s dream of a lifetime,” quipped Ms. Guébels.
“With the launch of these new Wine Experiences, when somebody leaves the domain they do so with precise knowledge about grape varietals, tasting methods and the winemaking and food pairing techniques that professionals around the world rely upon.”

From passionate wine lovers looking to strengthen their knowledge of Burgundy to industry professionals dedicated to improving their craft, there’s a wine experience suited to all tastes and levels. These experiences are one of many forthcoming projects, both onsite and online, from Château de Pommard designed to ignite passions for wine education.

The new Wine Experiences can be reserved online, by phone or through Château de Pommard’s travel, tourism and hotel partners.

Vintage Eve 5/2015: Cabs of Distinction – Discovering Rotta, J Lohr Component Tasting and Vina Robles Seminar

July 24, 2018 by evebushman Leave a Comment

During the first day of Paso Robles Cab Collective Cabs of Distinction event I was happy with many wines from wineries I already knew or at least knew of. As I was strolling past one table I was immediately charmed by the gentleman pouring for guests in front of the table and excitedly describing the wines. This was my first encounter with Jeff Branco, the winemaker and Director of Operations for Rotta Winery.

Discovering Rotta

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My husband Eddie at Rotta luncheon.

Within minutes I fell in love with Branco’s 2013 Rotta SBR blend of Cabernet Sauvignon, Cabernet Franc and Merlot. I also learned that Branco had been the winemaker for Justin – and the incredibly popular Isosceles blend had originated under his tenure.

As this was the Cab Collective and all we were tasting were Bordeaux style blends or Cabs I asked Branco if he made other wines. He quickly invited me and my pals to a luncheon and wine tasting at his winery on Winery Road, just past Turley in Templeton, the next day.

Fast forward and we’re in the Rotta tasting room happily sampling a Rotta 2013 Pinot Gris from San Simeon that received 90 points from Wine Enthusiast magazine. From there we had a Rotta 2013 Rosé, and then the rest of the 2013 tasting line up was from Paso Robles and included a Mourvedre, Syrah, Grenache, Reserve Cabernet Sauvignon and Estate Zinfandel – all yummy.

Then we were driven up to the top of the property where a total of 19 guests huddled under pop up tents, happily sipping wine and taking photographs of the vineyards surrounding us. Once the courses began (see photos of the menu and pairings here) the conversation never ceased – along with the praise for Branco’s exquisite wines and Chef Brooke Stockwell’s imaginative pairings.

Several times the charming Branco would tap his water glass with a knife to get our attention and comment on the joy he found in his work. One story included his out-of-the-box idea of a tailgate party on the property that served as a fundraiser for the Alzheimer’s Association. He, along with “the love of” his life Sonya Guzman, proudly held up a check for $900 that they had made in their inaugural attempt, an event mostly filled with friends and local winemakers.

After lunch we headed back down the mountain, back to the tasting room, and nearly back to reality. The last I had seen of Branco was him headed off on a ATV to pick up his daughters. I ordered a few wines and lingered a bit in the tasting room but he hadn’t made it back before we all had to leave. As he had given me his cell number we called from the car where all five of us let him know that we loved his wines and thanked him for a remarkable time.

More about Rotta

Established in 1908.

Try the Black Monukka dessert wine.

Open 10:30-5:30 daily.

805-237-0510

Info@rottawinery.com

Www.RottaWinery.com

Lohr Cuvee Component Tasting 2014 Vintages

Meeting at J. Lohr Vineyards, which we hadn’t visited since our wonderful 2011 trip, we met in the same large room as before but this time it was set up for a component tasting. (For anyone wanting to do a component class get the Torani syrups, they are the most true. See photos here.) Along with the syrups for identifying fruit aromas, we sniffed dried and fresh flowers (rose, sage, jasmine and hibiscus), spices and other components (clove, cocoa, coffee, tarragon and fennel) trying to identify each so that later we could identify them in our wines.

Ian Adamo, the sommelier at Paso Robles’s Bistro Laurent (we had met Ian before when he paired an outstanding Adelaida dinner for us at the 2014 Cab Collective event) is currently working on his dissertation for his MS. Adamo, along with J. Lohr red winemaker Steve Peck, led us through each wine to evaluate the fruit, spice, floral, herbs, volume, astringency and then we were to try to guess the varietal of each of the five 2014 single varietal wines in front of us.

A bit tough with the caliber of fellow writers and somms in the room, we agreed on some descriptors and what wine that indicated. Ian listed colors, fruits and tannins that were certain indicators of standard varietals no matter where grown.

“It’s the structure that tells you the story” Ian said, in describing a Cabernet Sauvignon. And the purple color and bright fluorescent rim in the glass is indicative of all Malbecs.

Any bell pepper notes, which most people think is a flaw, ends up in their lowest priced bottles Peck said, and is how most domestic wineries handle that component when found.

I checked off whenever at least my descriptors matched Ian’s as I certainly wasn’t going to guess all of the varietals correctly! At the end of the class I got one wine right across the board, the others only shared descriptors. I definitely want to try this at home with a group.

Peck then gave us some great news: when we got to lunch a little later “some of the wines the somms tasted” in front of us the other day that we weren’t given…had “fallen off the truck” and we were going to taste them!

But first we were to blend a “Cuvee Pom” (in a nod to the Pomeral region of Bordeaux) blend of 82% Merlot and 18% Malbec with 2% (equal to 1/2 barrel) to 4% (equal to 1 barrel) of Cabernet Franc. The first, with 2%, softened the bite of the Pom alone, more fruit and less tannin. The second, with the 4%, now seemed spicier, rougher, and I actually like that better. It was an interesting exercise as again, it’s very objective so we all had our favorites of the blends we had created.

Peck said that he wanted to create a luxury brand, and is not after scores. He has yet to decide what he will do with the blends we were playing with. In the meantime, the evil scientists at my table grabbed more glasses and decided, ON THEIR OWN, to move to 6% of Cabernet Franc in their blend.

During “the next chapter” of our seminar Peck gave us a slide show that included a “style map” with color/body/mouthfeel/tannin/color broken town into styles based on their strength. He mentioned that it was akin to how someone may like their coffee: thin and astringent, dark but with creamer, etc. Pinot Noir would fall on the light end of the map while Cabernet Sauvignon would be on the dark end, and blends in the middle.

After that we adjourned to a wonderful lunch and all of the wonderful wines that fell off the truck and the latest three J. Lohr Cuvee blends – enjoyed it all!

Vina Robles Cabs of Distinction Seminar

The Swiss owner of Vina Robles, Hans Nef, that greeted our merry group of seminar attendees told us that he has a farming background and came to Paso Robles in the mid 1990s. Nef’s goal, after turning the class over to winemaker Kevin Willenborg, was to give us some background on Vina Robles and present 11 districts of Paso AVA with the six wines we were too taste.

With six slides we learned that the family came to Paso in 1996 and had their first crush in 1999. Introducing Vina Robles wine in 2003, the Cuvee Collection in 2005, RED4 wines launched in 2006, in 2007 the Hospitality Center opened, Willenborg joined in 2012 and the new Vina Robles Amphitheatre opened in 2013.

Nef said that the winery is mid-sized, family-owned and produced 40k cases per year, all from estate grown grapes.

Willenborg then took over the lecture. He told us that they have 5 different districts within the Paso Robles 11 AVAs that are used in Vina Robles wine. He pulled some wines, still in barrel, from different districts that we would later sample to see if we could discern any differences between the different AVA districts (map).

The Santa Lucia mountain range allows the area to be warm in the growing season. There are other ranges, on the south and east that “kind of frame Paso Robles.” Like being in “a bowl” surrounded by mountains. There are 614,000 acres in the 11 Paso AVAs with 32,500 planted. There are over 45 soil series, including alkaline, calcareous and siliceous.

The word “Sauvignon means wild” Willenborg said…and Cabernet Sauvignon grows wild and strong after planting. Here, not like Bordeaux, their window for growth is longer.

There are 23 varieties grown, on 1,300 acres, at Vina Robles and they only source 15%, so the balance is sold to other wineries. The main districts that Vina Robles grows in are Jardine (Estrella District), Huerhuero (split between two districts: Geneseo and El Pomar), Creston Valley (Creston District) and Adelaida Springs Ranch (Adelaida). Then we tasted wines from each district to discern different flavors.

This was tough for me, like barrel sampling, these wines were single varietals that had yet to age or be blended. Lots of tannins, volume, weight, astringency, and big mouthfeel was indicative in all – as these attributes comes straight from the grapes. Some seemed less tannic or fruitier than others, but all in all I longed to have each in their final blended process which I was more than happy to trust Willenborg with!

(After the 2013 Cab Collective I visited Vina Robles winemaker Kevin Willenborg. Read here for story on the tasting and interview.)

Story in photos: https://www.facebook.com/media/set/?set=a.10205508500739325.1073741916.1455706632&type=1&l=dbb4543053

Eve Bushman has been reading, writing, taking coursework and tasting wine for over 20 years. She has obtained a Level Two Intermediate Certification from the Wine and Spirits Education Trust, has been the subject of a 60-minute Wine Immersion video, authored “Wine Etiquette for Everyone” and recently served as a guest judge for the L.A. International Wine Competition. You can email Eve@EveWine101.com to ask a question about wine or spirits that may be answered in a future column. You can also seek her marketing advice via Eve@EveBushmanConsulting.com

Vintage Eve Circa 4/2015: Cabs of Distinction Welcome Reception and Tasting

July 10, 2018 by evebushman Leave a Comment

The Paso Robles Cab Collective is a group of wineries that are focused on creating Bordeaux wines and blends in Paso Robles. This is the third year of the Cab Collective, this year called the Cabs of Distinction event, that gives trade and media a 3-day opportunity to taste and go to seminars to better our knowledge of the region’s wines – and give equal time and thought to Bordeaux varietals over the the Zins and Rhônes that Paso is famous for. (Just like Rhone Rangers and Pinot Days type events, the Cab Collective’s goal is that we will share what we’ve learned with our readers, etc.)

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Daniel Daou and Eve.

At the Paso Robles Inn Ballroom for our first seminar and tasting we experienced a few minutes of audio problems, but no one really cared because, heck, we were at a wine event so while we waited…we tasted.

Besides getting started on the tasting I did a check off in my head of what was to come: first the brief welcome, barrel and new release tasting from some of the Cab Collective member wineries, dinner (and a grappa tasting!) would be at Opolo Vineyards, a sommelier-led class in the morning, lunch (I didn’t know this yet) at Rotta Winery, maybe some wine tasting on our own (which ended up being a spirits tasting at Re:Find Distillery in Villicana Winery) being shuttled to more wine tasting and a dinner at Villa San Juliette Vineyard and then the last day at J. Lohr Vineyards having lunch, learning how to blend and then finally to Vina Robles for another lesson and tasting.

Before I could think about it any further…the audio was corrected and the reception began.

Daniel Daou, the rock star looking winemaker with microphone in hand, greeted me with, “I still like your bikini photo best…” and then picked up the mike to address the crowd. I can now see why this charming winemaker gets so many “likes” on my Facebook page. Of course the fact that he makes killer wines also has something to do with it!

Daou told the crowd, “We don’t get a bad vintage often…it’s our trademark” as “our region achieves ripeness year after year” delivering wines of “perfect balance.” Daou continued, “Several years ago…we set on a path to work together…required a lot of work, resources, money…even replanting…wineries joined in and accomplished today what you are about to taste.”

Daou then thanked the Cab Collective sponsors for their funds and resources…gave us a teaser about the seminars to come and introduced Wine Country Alliance President Jennifer Porter, who, in turn introduced Chris Taranto, Communications Director of Wine Country Alliance.

Taranto said that what he is presenting “could be presented by all of the people here today” that had come to represent the wineries. The slide show began with Zinfandel…the grape that got Paso Robles on the map. Established in the 80s, Rhone and Bordeaux varieties are the largest in the region, Taranto said, and most are family owned, small-case production. There are now over 200 wineries and 3,200 vineyard acres, 146 of that 200 have tasting rooms.

What makes Paso unique? According to Taranto Paso Robles is the hottest of the coolest regions, depending on how close to the ocean, and that calcareous soils prevail all over the area – more than any other California AVAs.

In a slide of a side view, from Morrow Bay, we saw the mountain ranges, and how the fogs can get trapped in the area; as well as wind and cooler air. Taranto said that Paso “benefits from proximity to the ocean, and proximity from the ocean.”

In 2007 59 vintners came together to set 11 separate AVAs as the land was very diverse. Approved by Nov 9, 2014 wineries could now use new labels with their set district. So “preserving Paso as a whole” was accomplished.

Porter added, “We are really friendly…non judgmental, approachable…” our manifesto includes the words, “there are no rules…this is the Place to Grow Wild.” Porter said that we would see that in the blends the winemakers are making as they are “just trying to be welcoming…taking the snobbery out of wine.”

Now, back to the tasting.

As usual I photographed all of the wines I liked in particular. But here are a few comments to the photos:

Justin Winery winemaker Scott Shirley’s barrel tasting of his latest was freaking outstanding and we hoped he could make single bottles from that one barrel instead of making what will definitely be a killer blend. No such luck unless we get his home address.

Red Soles was a new one for me, and of equal interest to some great wines is that they are distilling spirits – must learn more about that soon in another visit. Suffice it to say if you make if from grapes (or any fruit) they are allowed to sell it from a winery tasting room. Rumor is that there are twenty wineries in Paso now doing this!

The latest Suendero 2011 blend from Vina Robles blew my socks off. And their 2012 Cabernet Sauvignon was great too.

Bon Niche was new for me, we had two blends, loved both, especially the 2011 Chemin blend of Cabernet Sauvignon, Cabernet Franc and Merlot.

My new fave find of the tasting, Rotta, and his SBR blend – you’ll read about more as we ended up getting over there for a full tasting over lunch in Part II of this tale running on May 22.

Halter Ranch killed me with their first 2012 Malbec, gotta get me some more of that as well as their latest Ancestor 2012 vintage.

Loved J. Lohr, and we had a two hour tasting coming up with them and Vina Robles during this same trip.

The latest Soul of a Lion blend from DAOU was very remarkable. Need more.

Michael Mooney’s latest for Chateau Margene, the 2013 Cabernet Sauvignon, was yummy and good to drink now.

The Circuitous Path from Network News to Fine Wine, by Tim Ortman (Part Three, Concludes Next Week)

June 21, 2018 by evebushman Leave a Comment

After a fruitful overseas run with NBC News, I returned to Chicago where, with the support of NBC and other news operations, I created a production company to continue covering the news. At this point, it had been seven years since I’d left the U.S. and I realized a lot had changed. I discovered two publications dedicated solely to wine coverage. Imagine that. What was next? An all-sports network, or one dedicated to cooking?

As I read through those magazines, I found that a plethora of ink had been devoted to the much-heralded back-to-back ’89 and ’90 vintages in Bordeaux. While I knew nothing of this French region, review after review screamed that these were must-have wines. I had just grasped Brunello di Montalcino and was now confronted with the much larger and more complex right and left bank. Once again, I had to dive in. There was no turning back. Would it ever end?

Of course, the correct answer is no.

Once again, my professional TV life intersected with my burgeoning wine life. I was hired to produce a project on the growing wine auction business and invited to sample some of the Bordeaux and Burgundies being auctioned. There was that dirt component again from my earlier run-in with French reds. But this time, coupled with ripe fruit from great vintages, I found it was delicious. If a picture is worth a thousand words, a taste is worth ten thousand words, and after that auction project, I was a hopeless collector – with all of our available funds going into the cellar. Brunello, Bordeaux, and Burgundy would soon be followed with Napa Cabs, Barolo, Barabresco, Rioja and Priorate.

My cellar was growing and diversifying, and so too was my occupation. After decades of globe-trotting network news coverage, I was looking for television work that seemed less perilous and closer to home. I began to replace my exhausting news career with a new and popular format called reality TV. Work was plentiful and the compensation rewarding. But, I quickly discovered that there was nothing real about reality TV, and it proved to be even more exhausting than network news. It was decided. After 25 years in TV, I needed a break from television.

Living in Southern California and enjoying the fruits of my second marriage to a highly successful corporate executive who was also a fan of fine wine, I had the luxury of choosing a ‘second act’ without jeopardizing our financial solvency. We discussed a possible detour on my career path and agreed wine was my only other true passion – an avenue worth pursuing while I pressed the pause button on TV. But where to begin?

Retail shop clerk or cellar rat didn’t appeal to me, and I didn’t have the resume for the restaurant biz. Distribution or sales would be a radical departure, but perhaps something I could manage. I took a job as a sales rep for a prestigious importer and distributor with an impressive portfolio of wines. Learning the portfolio would be daunting but doable. But acquiring ‘street cred’ would be tougher. I soon found out “Emmy award-winning cameraman and producer” made for a meaningless introduction in the wine world. I had to get new credentials.

(Editor’s Note: This story is broken into four parts, please return to this website on the same weekday next week for part four, the conclusion.)

Tim Ortman is an Emmy Award-winning cameraman and producer and author of the new book, Newsreal: A View Through the Lens When… He is a certified Sommelier and member of La Confrérie des Chevaliers du Tastevin. Connect with him on Facebook, @TimOrtmanWriter.

Perlis Picks: Hospice du Rhône [Part Two]

June 16, 2018 by Michael Perlis Leave a Comment

THE GRAND TASTINGS

Of course, the HdR event wasn’t all “work” [I use this term very loosely] at the seminars that I wrote about in last week’s article.

HDR Friday afternoon was the Opening Tasting and the Closing Tasting was held Saturday afternoon. The participants were the same at both, with the opening tasting focusing on older vintages and the closing tasting representing current releases. Wineries could only pour wines that were primarily made up of the 22 Rhône varieties. This was not only a great opportunity to taste an incredible number of fine wines, but to also interact with lots of winemakers.

I did not take notes on individual bottles and did not get a chance to taste at nearly every table – check out this list of participants and you’ll see why I didn’t make it to everyone. I also focused primarily on California producers as these would be wineries I’d be most apt to follow up with for in-depth reporting in the future.

Of those I tasted, these wineries poured my favorites…

Alta Colina, Paso Robles, CA

Anglim, Paso Robles, CA

Barton Family Wines, Paso Robles, CA

Bedrock Wine Co, Sonoma, CA

Caliza Winery, Paso Robles, CA

Carlisle Winery and Vineyards, Windsor, CA

Clos Solene, Paso Robles, CA

Delmas, Walla Walla, WA

Denner Winery, Paso Robles, CA

Donelan Family Wines, Santa Rosa, CA

Jeff Cohn Cellars, Sonoma, CA

Keplinger Winers, Napa, CA

Larner Vineyard and Winery, Los Olivos, CA

Law Estate Wines, Paso Robles, CA

Ledge Vineyards, Paso Robles, CA

Levo, Paso Robles, CA

Onx Wines, Paso Robles, CA

Paix Sur Terre, Paso Robles, CA

Saxum Vineyards, Paso Robles, CA

TOP, Paso Robles, CA

Turtle Rock Vineyards, Paso Robles, CA

Not on the list on the website, the wines of Santa Barbara’s Kunin Wines were also being poured. Seth Kunin passed away last year; I never met Seth and by all accounts my life is poorer as a result. Seth’s wines were being poured by his wife and his brother and they were delicious.

THE MEALS

Wine tastes great on its own, but ultimately it really shines as part of a meal – oft times for me as the star of the meal, but part of it nonetheless.

Lunch on Friday was devoted to Rose, with bottles of Rose everywhere being provided by HdR participants, along with food prepared by Chef Nick Nolan of Society Cuisine.

The Live Auction Lunch on Saturday featured dishes prepared by Martin Testa of Testa Catering along with lots of wine provided by the HdR participating wineries. The auction generated funds for the HdR organization to continue to provide these kind of events and to help Northern California Wildfire Relief…

In addition, the passing of two wine luminaries was addressed, Seth Kunin of Kunin Wines and Robert Haas of Tablas Creek, as well as the Person of the Year being announced – Jed Dunnuck of jebdunnuck.com.

The Farewell Dinner Saturday evening provided a wonderful time to reflect on the weekend that had passed so quickly. The four course meal was prepared by Chef Spencer Johnston of Danior Kitchen, featuring Southwestern inspired fare capped off with a delicious selection of meats [beef, chicken, chorizo and lamb] followed by dulche de leche cake along with strawberries and cajata. Not to mention the cooked grasshoppers which were a big hit at our table. And of course, the wines…it looked like all the bottles that had been opened at the tasting were sitting somewhere, along with plenty of full ones.

I can’t say enough about this event – hopefully you’ve gotten this far in my writing about it. From the organizers to the participating wineries to the attendees, from the seminars to the meals to the tastings, whether one bought a weekend pass or went a la carte, I can’t think of a more well run event or one with higher quality wines across the board. As we headed off into the night, I thought that I couldn’t believe it was over and that two years couldn’t pass soon enough. Kudos to all involved.

Michael Perlis has been pursuing his passion for wine for more than 25 years. He has had the good fortune of having numerous mentors to show him the way, as well as a wonderful wife who encourages him and shares his interest. After a couple of decades of learning about wine, attending events, visiting wineries and vineyards, and tasting as much wine as he possibly could, he had the amazing luck to meet Eve Bushman. Now, as Contributing Editor for Eve’s Wine 101, he does his best to bring as much information as possible about wine to Eve’s Wine 101 faithful readers. Michael is also Vice President of Eve Bushman Consulting (fka Eve’s Wine 101 Consulting) http://evebushmanconsulting.com/ and President of MCP Financial. Michael can be contacted at michaelthezinfan@aol.com or michael@evebushmanconsulting.com.

The Circuitous Path from Network News to Fine Wine, by Tim Ortman (Part Two)

June 14, 2018 by evebushman Leave a Comment

My budding intrigue with wine remained closeted until one fateful night at an Italian restaurant in Frankfurt. I was dining with a dear friend and colleague. He’s about my age, but with Italian-Uruguayan heritage, he was more culturally savvy than I’d ever hoped to be, given what my Dayton, OH. upbringing had provided. Naturally, he took control and, to accompany our Italian meal, ordered an Italian wine. Without taking notice of what it was, I took a drink to get the evening going.

And that’s when it all started. Or, more accurately, stopped. All movement in the room seemed to cease as I savored the entirely new nuances dancing over my tongue. I no longer heard my friend or the waiter. Didn’t see the surrounding tables or menu in front of me. I was solely focused on the glass in my hand and the flavor in my mouth.

When I finally snapped out of my self-induced trance, with the seriousness of a surgeon, I inquired, “What did you just order?”

To which my friend replied, “Brunello di Montalcino. Is like liquid velvet, no?”

Damn right, and Voila! The light bulb above my head was shining brightly. As the taste still lingered in my mouth, I ordered another bottle. Even the name was seductive… Brunello di Montalcino. What did it mean? Where did it come from? I had to know more. This thing had grabbed me by the so-called palate and wouldn’t let go. At that point, I was fully seduced – or worse, hooked. Even as we left the restaurant, the thought was unshakeable. “Brunello di Montalcino.” There was no turning back.

Not long after that dinner, NBC News transferred me from Germany to Italy. Rome, Italy. I would be just a stone’s throw from the city of Montalcino, home to my beloved Brunello. But this proved to be both a blessing and a curse. Yes, Brunello di Montalcino would be much more accessible. Yet, the Italian shops and restaurants featured not just one Brunello, but 20 or 30 different Brunellos from a variety of producers and vineyard sites – offering many separate vintages for me to choose from. Making sense of it all was almost as maddening as deciphering that first German label had been.

Somehow, I mustered the courage to tackle the course, and with a glass in each hand I tasted my way through the many producers of Brunello. The legendary leader was Biondi Santi, whose winemaking roots could be traced back to the 1800s. And there were others, many others, of whom I would become a lifelong fan – like Ciacci, Il Poggione, Col d’Orcia, and Sassetti to name just a few. Being employed by a television news network has its perks. Occasionally, we’d take a well-deserved break from the hard news of the day to file ‘feature stories’ from scenic locations like… say, Montalcino. Visiting picturesque wineries was a photographic must for these assignments. Our Italian hosts would insist on educating and sampling us on the local grape. Persistence pays off, as well, and I was just beginning to learn one piece, the Brunello piece, of the much bigger puzzle.

(Editor’s Note: This story is broken into four parts, please return to this website on the same weekday next week for part three.)

How To Learn: Family Winemakers of California

March 30, 2018 by evebushman Leave a Comment

“Excuse me, are you Eve Bushman from the Wine Down show? (Over 15k views so far of my episode Wine Immersion for Beginners!) I’m at this event because of you, and how you said the best way to learn about wine is to attend tastings like Family Winemakers…” Yes, apparently I do have a fan! Made my day! Now, where was I learning about wine:

Our first tasting was held on November 12, 1991, in the Sheraton Palace Hotel in San Francisco. Family Winemakers had 71 member wineries back then, and 47 of them poured that night for about 350 members of the wine trade. We’ve grown. We have over 375 members today and many of them pour at one or all of our tastings: Bay Area, Del Mar and Pasadena. We’ve grown, and so have our tastings, but some things haven’t changed. The wineries are just as dedicated as they were in 1991 to producing the finest wines they can, the winemakers are just as passionate about the right soil, the right grape, the right microclimate. And Family Winemakers is just as committed to presenting our member wineries and their wines at tastings that showcase the breadth and depth of winemaking in our state. Family Winemakers … Great Wine a Family Tradition!

Tasting

Thanks to my editor Michael Perlis I first learned about this event quite a few years ago. Every time they do have the tasting in Pasadena I make an effort to cover it. This year we both did so look for his coverage on this website too – just use our handy search button.

At the event I was in the mood for Rhônes, Zinfandel and Bordeaux varietals so if I have bolded a winery below, and didn’t note the specific wine I liked, it would definitely be in one of those categories! (The multi-page program included a handy “varietal map” for those that also were in the mood for a certain type of wine.)

As is the case in a walk around tasting, it’s not always convenient to make a lot of notes without a crowd building up behind you at the tasting table. (Some tables I missed due to crowds too.) I did however, try to note every wine, vintage year and varietal of most:

Wineries

Amizetta Estate Winery Cabernet Sauvignon

Angwin Estate Vineyards with a deep and dark Cabernet Sauvignon

Ascension Cellars all good especially the “Soul Searcher” blend of Cabernet Sauvignon and Syrah.

AvinoDos Wines Cabernet Sauvignon, Malbec and a Zinfandel.

Blair Estate

Blue Farm

Bokisch Vineyards

Brecon Estate

Brutocao/Bliss Family Vineyards

G. Di Arie Vineyard & Winery

Cass Winery

Collier Falls

De Novo Wines

Dewitt Family Wines 2014 and 2015 Cabernet Sauvignon.

Donum Estate

DRNK Malbec (DRNK are the initials of the four owners, all family members.)

Fiftyrow/Smokescreen

Frisson Wines

Fritz Winery

Frogs Tooth Vineyards Barbera

Frostwatch Vineyard and Winery

Gordenker 2013 and 2012 Moon Mountain Cabernet Sauvignon, 2016 Cabernet Franc.

Greyscale Wines 2015 Merlot.

Hagafen Cellars

Hawk and Horse Vineyards

Hearst Ranch Winery Cabernet Sauvignon and a 2015 Petite Sirah.

Heritage Oak Winery

Hook & Ladder Winery

Howell Mountain Vineyards

Huge Bear Wines this was probably my pick of the day: 2013 Cabernet Sauvignon, their current vintage.

Inspiration Vineyards & Winery

Rickards Winery

Keenan Winery

Kieu Hoang Winery

Meeker Vineyard Cabernet Sauvignon and “Frozin” dessert wine.

Murder Ridge Winery 2015 Zinfandel and 2015 Red Blend.

Navarro Vineyards

Oak Farm Vineyards

Oakville Cross Wines 2007 (thank you!) and 2013 Cabernet Sauvignon.

Opolo Vineyards

Parmeson Wines

Pech Merle Winery 2015 Cabernet Franc, 2014 Cabernet Sauvignon and 2014 Zinfandel.

Petree Cellars

Petrified Forest Vineyards

Pierce Ranch Vineyards

Pine and Brown Winery

Pride Mountain Vineyards everything they poured: 2016 Chardonnay, 2015 Merlot and 2015 Cabernet Sauvignon with a little Petit Verdot and Merlot.

Quady Winery

Rack & Riddle Winery

Robert John Vineyards 2010 to 2014 vertical tasting of their Cabernet Sauvignon.

Saddleback Cellars

Scotto Cellars

Shadow Ranch Vineyard

Silkwood Wines

Sobon Estate/Shenandoah Vineyards

Sojourn Cellars

Sol Rouge Vineyard & Winery had a huge lineup and a sign mentioning many of their 90+ scores from Wine Enthusiast. I enjoyed the Cabernet Franc, Syrah, Zinfandel and Cinsault.

Tablas Creek Vineyard both of their white and red Rhône blends.

The Farm Winery 2013 Cardinal Cabernet Sauvignon and “Touchy Feely” Grenache.

Treasure Island Wines 2010 Big Game.

Trione Vineyards & Winery

Uncorqed

Velvet Bee LLC

Vineyard {511} 2013 Cabernet Sauvignon.

Vino Noceto Zinfandel.

WesMar Winery

Windrun Vintners

Woodenhead

Zaca Mesa Winery & Vineyards

Eve Bushman has a Level Two Intermediate Certification from the Wine and Spirits Education Trust (WSET), a “certification in first globally-recognized course” as an American Wine Specialist ® from the North American Sommelier Association (NASA), Level 1 Sake Award from WSET, was the subject of a 60-minute Wine Immersion video, authored “Wine Etiquette for Everyone” and has served as a judge for the Long Beach Grand Cru. You can email Eve@EveWine101.com to ask a question about wine or spirits. You can also seek her marketing advice via Eve@EveBushmanConsulting.com

Drinking Epiphanies

March 23, 2018 by evebushman Leave a Comment

I just wanted to know what your drinking epiphanies were in 2014! After learning what our Eve Wine 101 Facebook pals experienced, I’d have to say I have some new boozy goals for 2015.

The statement above was from a Facebook roundup I did in January of 2015. Thought, heck, it’s been a few years, I wonder if anyone has some new discoveries since then to share. So I asked.

Anonymous: …in Vegas at an unnamed hotel I convinced people I was the owner’s son and got drinks for free and comps for days.

Caren: Tasting Jonathan Cross’s “When Figs Fly” signature cocktail at Cocktails On the Roof. (Cross is the bar manager at Olive Terrace Bar and Grill.)

Vicki: Although it was not last year my first taste of Sojourn Cellars Pinot Noir with a great friend.

Michael: Graham’s 1970 Vintage Port with Rupert Symington, and 1975 BV Georges de LaTour. I’ll toss in a 40 YO Ukrainian brandy as well.

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Mas Martinet DOQ Priorat Facebook page

Scott: Tasting wine at Mas Martinet in the mountaintop vineyard where the grapes are grown. Priorat Spain. Priorat is a must see. It is one if only 2 DOQ’s in Spain. The other is Rioja. To me Priorat seems more inventive, and willing to take chances, than stodgy old Rioja.

Kathy: My visit to Gibbston Valley Winery in New Zealand was one of my most favorite wine experiences last year! The 2013 Noble changed my life! I believe they ship to US for very reasonable prices!

Danny: Chardonnay, Pinot Noir and Rum Barrel aged Gin…it’s completely different (from Genever) the botanicals are complimented nicely rum adds spice, chard adds richness and pinot adds floral(s), amazeballs. #brokenheartgin #reidandreidgin #sacredspringgin (#’s are brands to try)

Lee: Just enjoying it with good food, great friends and plenty of laughter.

Jenny: Great question! #1 was the private wine tasting from Leoness that I set up for a bachelorette. We did it by the pool at the house we were renting. Amazing….except that I was pregnant… So #2 was the first glass of wine I had after having my baby. Pulchella and it was heavenly!

From me: …for me in wines it was tasting Hourglass Wine for the first time, in their caves. Then tasting Armand De Brignac and Dom Perignon, well out of my price range. For spirits it had to be two whisky events: the Universal Whisky Experience and the Peatin’ Meetin’.

Ornellaia Celebrates 30th Anniversary of First Vintage (1985) and 10th Anniversary of Vendemmia d’Artista

March 15, 2018 by evebushman Leave a Comment

NEW YORK (PRWEB) – To commemorate the 30th vintage of iconic Italian wine Ornellaia and the 10th edition of the Ornellaia Vendemmia d’Artista project, the iconic Bolgheri estate invited world-renowned artist William Kentridge to create special-edition labels centered on the theme of “carisma,” or “charisma.” The art, created to represent the character of the vintage itself, will adorn a limited number of Ornellaia 2015 wine bottles. Continuing its partnership with Sotheby’s, Ornellaia will donate 9 rare lots to be auctioned off during a gala evening at the Victoria & Albert Museum, and all proceeds will be used to support the arts and art education at the V&A.

For this year’s edition of Ornellaia Vendemmia d’Artista – a project launched in 2009 to showcase the unique relationship between fine wine and contemporary art – South African artist William Kentridge developed a site-specific art installation, designed a limited series of 111 large-format bottles, and created a limited-edition label that will appear on one of the six bottles in each case of Ornellaia. As explained by William Kentridge, the images on the labels depict the work of winemaking, specifically the unique combination of craft and processes involved in the vendemmia, or the wine harvest.

“The secateurs come from a memory of the one occasion I took part in a Tuscan vendemmia… when I spent six months in San Casciano outside of Florence…” Kentridge recounts. “The aspects of wine-making that combine both manual craft and mechanical processes suggested the transformation of people into machines and machines into workers…. The drawings are done on pages from various old Italian cash books found in flea markets and second-hand shops in the Tuscan area.”

The theme “Il Carisma,” or “charisma,” was selected for the 2015 vintage, as it perfectly captures the stunning spirit and energy of this wine. Its rich, deep color suggests a wine of great texture and intensity, while the fruit-rich nose shows both ripeness and freshness, with hints of classic balsamic and spice. On the palate, it is rich, dense, and full-bodied, with an exceptionally tannic texture that is simultaneously dense and velvety along the palate. The lengthy finish concludes with an impression of firmness and delicate hints of spice.

The classic flavor profile and exceptional character of this particular vintage can be attributed to the fact that 2015 was a particularly well-balanced harvest season, with relatively normal, almost textbook-like weather patterns. Winemaker and Estate Director Axel Heinz explains, “Like people of great ‘carisma’ (charisma), wines of great vintages know how to impose themselves naturally, without force, their balance allowing them to shine without having to flaunt themselves.”

On May 23, the spotlight will shift to the celebratory event, a benefit auction featuring 9 rare lots, which will include the special bottles created by William Kentridge for the Ornellaia 2015 Il Carisma. Stephen Mould, Sotheby’s Senior Director and Head of the European Wine Department, will preside over the gala dinner and auction, and all funds raised will be donated in their entirety to the host sponsoring the event, the Victoria & Albert Museum (V&A) in London.

V&A Director Tristram Hunt states, “The V&A is thrilled to host Ornellaia, Sotheby’s, and the renowned artist William Kentridge, as they present the 10th edition of Vendemmia d’Artista. We are honored that Ornellaia have chosen the V&A for this spectacular event and we are hugely grateful for its generous support.”

Stephen Mould continues, “I admire how William Kentridge interprets Ornellaia 2015 “Il Carisma” through his allegorical language – the artworks he has created for the bottles and the estate transform the spirit of Ornellaia through visual art and make concrete his interpretation of Ornellaia 2015’s character. This vintage, born during an optimal harvest season, is set to be one of Ornellaia’s greatest.” Jamie Ritchie, Worldwide Head of Sotheby’s Wine, further elaborates, “Sotheby’s Wine is proud to participate in our tenth collaboration with Ornellaia’s superb Vendemmia d’Artista art program… These unique large-format bottles will find homes in new cellars and will always remind their new owners of the joys of bringing wine, food, art and friendship together.”

Ornellaia CEO Giovanni Geddes da Filicaja concludes, “Today, as Vendemmia d’Artista marks its 10th year, it continues to attract funds for the restoration of artworks belonging to our universal heritage. In just first nine editions we have succeeded in donating almost two million euros across the globe; just a small drop perhaps, but there is much more to come.”

About Vendemmia d’Artista
Vendemmia d’Artista celebrates the unique character of each new vintage of Ornellaia. Every year since the release of Ornellaia 2006 in May 2009, a contemporary artist creates a site-specific work of art and a series of limited edition labels, drawing inspiration from the word chosen by the Winemaker to describe the character of the new vintage. The Vendemmia d’Artista project includes a label created by the Artist for a single bottle in each wooden case of Ornellaia (containing six 750ml bottles). As in previous years, the project provides for a limited edition of 111 large-size bottles (100 Double Magnums (3L), 10 Imperials (6L) and 1 Salmanazar (9L) each individually numbered and personally signed by the artist.

About the Victoria and Albert Museum
The V&A is the world’s leading museum of art, design and performance. It was established to make works of art available to all and to inspire British designers and manufacturers. Today, the V&A’s collections – which span over 5,000 years of human creativity in virtually every medium – continue to intrigue, inspire and inform. The Museum holds many of the UK’s national collections and houses some of the greatest resources for the study of architecture, furniture, fashion, textiles, photography, sculpture, painting, jewelry, glass, ceramics, book arts, Asian art and design, theatre and performance.

Brännland Cider: The 2018 ice cider extraction has started

March 5, 2018 by evebushman Leave a Comment

The 2018 extraction of the 2017 harvest has started. In the last week outside temperatures have gone down into the 25-30 degrees below centigrade range. This is an unusual spike downwards for this time of year and it makes our job easier and harder.

Easier in that concentrations will remain high for longer when extracting. Harder because it’s cold and the cold further underlines the stickiness and the hard work involved. Each tank is tapped and tapped again for the naturally sweet apple juice and the temperatures makes for numb fingers.

2018 is also unusual because for the first year in our short history I’m not the guy with the main responsibility for getting this crucial part of the process done, Dave is.

David Biun came to us from the US (together with his wife Tegan) in September 2017 to assume the full time responsibility as cidery manager and cider maker and he’s now in charge of every step in the production process.

I keep fretting about whether my less than hands on involvement will be good or bad for the cider that comes out the other end. In my mind, the blood sweat and tears I and others have invested since the start is also an important part of the soul of the cider.

However, I know this to be superstition. A personal myth if you will. And my bad conscience is probably more down to my ego than real concern. Micro management is good when implemented at the right steps, to the right details. Me worrying, obsessing about potential problems though is likely not very constructive.

Sure, I’m out here checking on the work, keeping Dave company and discussing the over arching goals, but frankly, for the actual work right now he doesn’t need me here. And that probably plays into it as well. The feeling of not being as needed, not being as crucial (as I’ve previously have seen myself) takes some getting used to. Again, a fair bit of ego.

No, David working together with Markus, our consulting wine maker, will make the odds that we’ll produce an outstanding vintage much better simply because they both know the job much better than I can ever hope to.

Their combined experience and knowledge of the hands on cellar work and the processes that make a great wine or cider is something I, having learned the basics later in life, can never hope to achieve. I’m proud of having learned, but for the cider to reach new levels of balance, clarity and quality, I need to leave it to the professionals.

In 2016 and 2017 we worked with only three apple varieties, closely linked to Swedish history, and the 2016 turned out fine. Austere with high acidity in relation to residual sugar which presents a drier ice cider than previous years.

This year we decided to add back a few apples back into the mix like Cox Orange and Mutsu to give the ice cider some of the body and texture of those varieties.

2017 was the worst year in five decades for apple growing in Sweden, one of the main problems being a very cold and unpredictable spring with heavy frost and hail in the southern parts of the country. We were worried that the weird weather and strange season with a severely diminished harvest would show in the quality of the apples, the levels of sugar, the all round taste.

But no. From the juice coming out of the press in December now being concentrated you couldn’t tell. The acidity is high but so is the sugar and the balance is fresh and full with strong nose and body.

This year we’re also doubling up on production and when we say that to people their first question is whether that will adversely effect the quality of the cider. We see it the other way around. Producing higher volumes won’t make us more industrial in relation to our craft. It’s still all hands and fairly primitive machines and looking at what we’re producing in total this year and comparing it to even small boutique wineries and cideries in the world our volumes are still tiny.

Rather increasing volumes will improve quality. We get more fermentations to learn from and more material to choose from when blending the final cider. The 2017 vintage will likely up the ante for us, enabling us to pick only the best cider for our ice cider as well as increasing the body and quality of the Pernilla Perle.

And so, the start of the extraction heralds positive anticipation and a more focused view on how to achieve the best possible ice cider, each member of our team being able to concentrate on what he or she does best. And the cold weather also brings its upsides. The high pressure that allows for the cold also means clear skies and sunny days. The start of 2018 is looking good.

/Andreas Sundgren Graniti, Brännland Cider