NEW YORK /PRNewswire/ — U.S. supermarket wines, once considered to be poorly made and rarely worth drinking, scored a major success at the 2019 International Salute to Excellence awards for private label in Amsterdam, winning seven top honors in the category.
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The award-winning wines were:
From Costco: Kirkland Signature Bordeaux Supérieur 2016 (Bordeaux, $10), best quality; Kirkland Signature Asolo Prosecco NV (Italy, $10). best value.
From Trader Joe’s: Trader Joe’s organic Grower’s Reserve Merlot 2017 (California, $5), best quality; Trader Joe’s Platinum Reserve Pinot Noir 2017 (Russian River Valley, $15), best quality.
From Aldi US: Evanta Malbec 2017 (Argentina, $4), best value; Scarlet Path Zinfandel 2017 (Lodi, $8), best quality; Outlander Cabernet Sauvignon 2016 (Paso Robles, $9), best quality.
This is the best performance ever recorded for wines sold exclusively by U.S. supermarkets, more than doubling the number of 2018 winners. The showing demonstrates that U.S. private label wines continue to get closer to their European counterparts in terms of value and quality – especially among wines costing less than $15. This matters because wines that are sold exclusively by European supermarkets have long been considered among the best wine in the world at combining those two things.
“Don’t overlook private label store wines,” said Washington Post wine columnist Dave McIntrye, one of 18 international judges who participated in the 2019 wine awards program. “These were good value, high quality bottlings. Some stores are doing a great job sourcing really good juice.”
Wines were judged in 25 categories by varietal, style, and appellation, and each category was judged for best quality and best value. The 18 men and women who judged the competition came from around the world, and included Masters of Wines, sommeliers, winemakers, wine writers, wine educators, and retailers. They judged 350 wines from 40 retailers in 11 countries.
To see all results for the 2019 judging, visit www.plmasalute.com/wine-awards. The international Salute to Excellence Wine Awards are a competition sponsored by the Private Label Manufacturers Association, with offices in New York and Amsterdam. Founded in 1979, PLMA today represents 4,000 companies who are involved in the manufacture and distribution of store brand products in foods and beverages, as well as home and health products. PLMA sponsors two trade shows annually in Chicago and Amsterdam.
The focal point of the new reception area is a large picture window showcasing the beautiful barrel room, allowing guests to peek into the working winery. Nearby, custom 13-foot tall sliding glass doors designed in Portugal enclose an inviting private lounge, complete with a fireplace and access to a patio garden. An extensive wine library showcases selections from their 50 years of winemaking before guests reach their new, modern kitchen.
“Since it was founded in 1879 by Gustave Niebaum, Inglenook has been renowned for its creativity, quality, innovation and industry leadership,” said Coppola. “We continue that tradition and dedication with this significant cave expansion, led by our director of winemaking, Philippe Bascaules.” The cave expansion kicks off a year-long celebration of Inglenook’s 140th anniversary.
Dutch Bourbon Whiskey is a nod to the film’s main character, Major Alan “Dutch” Schaefer, who leads an elite band of soldiers on a rescue mission in central America. On the mission they encounter an alien-like creature who destroys most of the team in gory fashion. In the movie’s closing scenes, Dutch defeats the creature and is rescued by helicopter.
During the first two editions of Wine Without Walls former Chairperson Alice Feiring devised criteria for judging to include the descriptors: ‘liveliness’, ‘evolution’, ‘balance’, ‘drinkability’, ‘savoriness’, ‘sense of place’, ‘emotional impact’, and ‘transparency’. Based off these editions, Monty Waldin decided to use and adapt six of the descriptors, changing ‘emotional impact’ with ‘individuality’ and ‘transparency’ with ‘clarity.’
Winesong is thrilled and honored to feature two staunch supporters of its annual event. Dan Duckhorn has been supporting Winesong for over two decades in both the Grand Tasting and Live & Silent Auctions with his brands Duckhorn, Goldeneye, Migration, Paraduxx and Decoy. Tom Rodrigues has also supported Winesong for decades with his art and his wines, and this year as he celebrates 50 years as a glass artist, he was the clear choice as Artist of the Year. Both Dan and Tom have generously given of their time and talent over the years, and each has a storied career.
The first bottle is a white wine from 2004. He makes only two wines, one red, one white. The white, 100% Chenin. Six years in barrel before bottling, then, in the case of this wine, four more years before release. Robert asks about skin contact (Xavier speaks no English, I translate as best as I can). No skin contact. We discuss the press regime and fermentation for 30 minutes. In great detail. He uses an old champagne press with a capacity of about 500 liters– very small, and exactly the same capacity as our presses at Tenbrink. A typical day during the white harvest has the following rhythm: wake up, harvest as much fruit as the press will hold, bring it back to the winery (“where do you do the work?” I ask, pointing to the overgrown yard and the complete absence of what we would call a crush pad. “Where you can,” he says with a smile). Load the press. Begin pressing. Go past midnight. Adjust the pressure. Assess. If all seems good, go home. Sleep, wake, return to the winery, release the pressure, break up the grapes (“Whole cluster?” “Yes. We do not crush or destem anything”), re-apply pressure, go harvest fruit, return, unload the press, begin the cycle again. They work with about 3 vineyards typically but make 3-4 passes in each vineyard. There could be a dozen days of pressing; sometimes a little more, sometimes a little less. They break up the cake of compressed grapes only once and gently. He wants as little friction and trituration as possible. There is no breaking up of the fruit on the way into the press or in the press as we do (“makes the fermentation too fast,” he explains. “Oh yes, how fast? What counts as a rapid fermentation for you?” “Three weeks.” Ah, that is rapid. What is the optimal time for you?” “A few months . . . . A year.” “Ah yes, we call those ‘French Fermentations.'” He smiles.)
Not one to turn down a bottle, err, I mean an opportunity to try a new bottle of wine, I readily agreed to the tasting. (If you want to try them they have a tasting room open to the public Thursday through Sunday from 11:00 a.m. to 6 p.m.: 3045 90th Street West, Rosamond, CA, 93560, 661-256-6203.)