École Ducasse back-to-school menu: Guest Chefs, Sponsors and New Courses

February 14, 2021 by evebushman

PARIS (PRWEB) – With a team of chef instructors and pastry chefs with the same taste for excellence, École Ducasse, the eponymous chef’s network of schools, also welcomes external guest chefs and exceptional talents every year. ”Meilleurs ouvriers de France (MOF)”, Best French Craftsmen, World Champions, Hospitality Experts – all of them renowned in their field – share their expertise and techniques on a daily basis with the various audiences at École Ducasse: seasoned professionals wishing to improve their skills, high school graduates, career changers or gastronomy and pastry enthusiasts. 2021 is no exception, and the school offers a remarkable selection for its three institutions – École Nationale Supérieure de Pâtisserie (ENSP), Paris Studio and Paris Campus, which opened its doors last November.

Multi-star sponsors for Bachelor courses
École Ducasse is pleased to unveil the names of the chefs chosen to become the sponsors of its 2021 Bachelors’ programs. These 3-year Bachelors programs are aimed at young students who have just graduated from high school and who wish to become chefs entrepreneurs.

Bachelor in Culinary Arts will be under the guidance of Jacques Maximin, the iconic chef awarded Michelin stars on numerous occasions and Meilleur Ouvrier de France Cuisinier (Best Craftsman of France in cooking category – MOF) 1979. The chef, who joined the École Ducasse group in 2020 as Culinary Advisor and Chef in Residence at the new Paris Campus in Meudon, will share Alain Ducasse’s values with students on a daily basis, instil his culinary vision and initiate masterclasses as well as themed dinners. In his capacity as sponsor of the Bachelor of Culinary Arts, he will pay particular attention to the transmission of values that are dear to him such as creativity, excellence, generosity and rigour.

Meilleur Ouvrier de France Chocolatier-Confiseur (Best Craftsman of France in the Chocolate making and confectionery) 2019, Paul Occhipinti, will take on the role of sponsor of the Bachelor in French Pastry Arts. The chef is well known to the institution – after training at École Nationale Supérieure de Pâtisserie, he has been teaching there as a guest chef since 2016. Passionate about confectionery and chocolate from his teenage years, he has developed his talents alongside great chefs such as Christian Camprini, Master Pastry Chef and MOF Chocolatier-Confiseur 2004. Sous-Chef Pâtissier of Hôtel du Cap-Eden-Rocin Cap d’Antibes since 2014, Paul Occhipinti has launched himself into entrepreneurship by creating his own 100% organic brand last August: Nico & les chocolats.

The 2021 Bachelors programs will start on September 6, 2021 and will be taught at Paris Campus and ENSP.

PARIS CAMPUS: “master more than cooking”
The arrival of the majority shareholder Sommet Education, a worldwide network of prestigious educational institutions specialising in hospitality, has enabled the renowned institution to expand its portfolio of training courses in the Art of Hospitality and customer experience, such as the intensive two-month program, aimed in particular at enthusiasts and people undergoing professional reconversion: the “Essentiels des Arts de la Table et de la Sommellerie” (“Art of Service and Sommelier Essentials”). Result of the synergy between Sommet Education and École Ducasse, this program is based on the arts of the table and service, customer experience, and food and wine pairings. The training is given at Paris Campus, notably by Chantal Wittmann, Gastronomic Restaurant Director and Senior Lecturer at Glion Institute of Higher Education in Switzerland. Mrs Wittmann, one of the only two women MOFs in the world in the field of service and table arts, officiates at the restaurant “Le Bellevue” (16 Gault & Millau points and recently entered in the Michelin Guide).

For continuing professional development, Paris Campus has also created a series of encounters: “Les invités d’Alain Ducasse” (“Alain Ducasse’s guests”). Professional chefs will be able to experience the new campus while learning from of one eight exceptional personalities in the world of gastronomy invited by Paris Campus: Adrien Cachot, Christopher Coutanceau, Christophe Raoux and Luc Debove for “Cuisine à quatre mains” (“Four-handed cooking”), Jacques Maximin, Chantal Wittmann and Jessica Préalpato, “Best Pastry Chef of the World 2019” (World’s 50 Best Restaurants) as well as Mathieu Le Feuvrier. This is a two- to four-day vocational training.

ENSP: excellence and expertise at the heart of professional training
The programme developed by ENSP team for professional training focuses on expertise and excellence. Among the chefs invited are : Romain Chalumeau, the school’s Chef Instructor for his course “Pâtisseries raffinées, sans gluten ni additifs” (“Refined pastries, gluten-free and additive-free”), running from February; the MOF Chocolatier Paul Occhipinti for his “Confiserie moderne” (“Contemporary confectionary”) course in April; and chef and MOF Chocolatier Frédéric Hawecker for a professional training course dedicated to “Confiserie à la folie” (“Confectionary madness”).

Like Cédric Grolet, Pastry Chef at the hotel “Le Meurice” and Jérôme de Oliveira, World Pastry and Bakery Champion in Cannes, who are also former students of ENSP, many renowned chefs will also come to the Château de Montbarnier throughout the year to share their experiences and techniques.

PARIS STUDIO: culinary workshops for all tastes
Every year, Paris Studio develops thematic programs open to all audiences such as:

Initiation enfant à la gastronomie (Initiation to gastronomy for children) for 3 mornings for children aged 6 to 11 years old: this immersion in the kitchen for little ones promises to be a fun activity around cooking and pastry making.
Menu 100% Japon (100% Japanese menu): in spring, Japanese culinary designer Fumiko Kono will challenge participants to create a refined and tasty menu that will delight more than one person.
Gâteaux de notre enfance (Cakes from our childhood): also in the spring, the school invites food-lovers to plunge back into the home-made snacks and sweets of their childhood.
Pâtisser simple, sain et bon (Simple, healthy and good pastry): at the beginning of May, the idea is to explore natural alternatives to make balance and indulgence work in harmony.
Charcuterie pâtissière (Delicatessen and pastry): in May, participants will discover the basic techniques of these gourmet dishes that are both emblematic and essential to French culture.
Tout sur les entremets (All about desserts): at the end of May, the school will reveal the techniques needed to make desserts for special occasions.
Glaces et Sorbets (Ice Creams and Sorbets): in June, for a fresh start of the summer, chef Luc Debove will share his techniques and tips for creating ice creams, granitas or sorbets.

Paris Studio has also developed a new digital offer for companies: les Team Buildings connectés (Team Buildings connected). These friendly and fun experiences allow the teams to share good times and make the link between gastronomy and business world by taking part in a digital cooking class led “live” by one of the Paris Studio Chefs.

Many other courses can be discovered online at http://www.ecolecuisine-alainducasse.com

About École Ducasse
École Ducasse is a network of schools founded in 1999 by multi-starred chef Alain Ducasse, dedicated to the transmission of outstanding French expertise based on excellence in culinary and pastry arts.

École Ducasse runs three schools in France – the Paris Studio, the Paris Campus and the École Nationale Supérieure de Pâtisserie – as well as two international schools (in the Philippines and Brazil). All are united by a desire to share a passion for gastronomy with seasoned professionals as well as food enthusiasts, career changers and students. This broad portfolio of programs aims to meet all training needs: from short programs for experts or food enthusiasts to intensive two-, four-or six-month programs, to three-year undergraduate programs leading to a Bachelor’s degree in culinary and pastry arts.

École Ducasse is a network of schools belonging to the Sommet Education, a major international education group for hospitality management and culinary arts.

Elise Masurel has been appointed the Managing Director of Ecole Ducasse.

For more information: learn.ecole-ducasse.com

Vintage Eve Circa 6/2018: Henry Wine Group’s TASTE THE WORLD 2018

January 5, 2021 by evebushman

A grand tasting showcasing the Wines and Spirits of The Henry Wine Group. Over 300 producers from around the world…the owners…people behind the scenes…

This is not the first time I’ve been to the grand Taste of the World event put on by the Henry Wine Group. I got wind of it a few years ago when my contributing editor and VP Michael Perlis attended. Soon we both were attending, and eventually, as I learned my way around we agreed: I would cover the spirits and Michael would cover the wines. As the wineries have a larger presence you may agree that Michael got the better gig, but as he has to write about it all, I’d say I got the best deal. LOL.

Henry Wine Group now uses the name Winebow.

Fun Factoids: Within 30 minutes of tasting and spitting out…my lips got numb. Kind of a new phenomenon for me. With wine your teeth and tongue get more stained in tasting and spitting than in drinking alone. In both instances you don’t swallow. You usually don’t swirl some spirits (in one class I learned that swirling “makes an angry scotch angrier”) but you do smell, then taste, hold in your mouth to let it do its thing, expectorate it all, pour out any remainder in the tasting glass and then rinse your glass with water if changing spirits. (This is a good time to drink some water too.) Even with all that, I did not make it through all of the spirits in the tasting lineup. I purposely skipped any I had had before as well as many in the last couple of tables as palate fatigue (tongue now numb) had set in. So if you are a rum, tequila or Absinthe lover (I’m an Absinthe lover for anyone making the perfect Sazerac) you can stop reading now, and please accept my apologies!

What I Tasted (if you just want photo coverage go here for three grids)

Osco Oakland Spirits Company, Glasshouse brandy – think Vodka flavored like the botanicals found in Gin, and then some – I enjoyed the Spicy Chinese Mint, Marjoram, Trade Winds (yes, salty air and the sea were an inspiration) and Shiso (as in the savory Umami in Japanese foods).

Rough Rider Double Cask Rye Bourbon, Three Barrel Rye, Cask Strength Straight Bourbon and Cask Strength Rye.

Pine Barrens Barrel Aged Gin (barrels held single malt whisky prior to the gin) and American Single Malt Whiskey.

Del Professore Vermouth Blanco and Vermouth Rosso. Both had amazing flavors and made me think of the past, where people sipped Vermouth on its own, over ice, in a little glass. I think this is a trend we could see again – especially with these Vermouths. The distillery was founded in Italy in the late 1800s.

Sibona Grappa Riserva, Port Wood Finish.

POLI Dal 1898 Grappaioli, Cleopatra and Sarpa – all excellent Grappas.

Bache Gabrielsen VSOP and XO Cognac (The XO was to die for)

Spirit Works Distillery – the entire lineup – Vodka, Gin, Barrel Gin, Straight Wheat Whiskey, Straight Rye Whiskey and a surprise: Sloe Gin made from macerated Sloe berries (think of a small round berry, blackberry in color, and adding both color and sweetness to Gin. Read more here) which was great alone but would also lend itself well in a cocktail.

Tullibardine Single Malt Whisky: both The Murray and the 25 year old. There were three others I tasted that were all less than 10 years old, none with an age on the label, but tasty just the same so keep an eye peeled for those: 225 Sauterne Finish, 228 Burgundy Finish and Sovereign finished in ex-Bourbon barrels.

Meletti Liqueurs I’d had before but the family member that I had met years before had returned, so I dove in to taste a few of their newer liqueurs: 1870 Bitter Aperitivo, Anisette and Dry Anisetta. All excellent!

And that, as they say, is all she wrote.

Eve Bushman has a Level Two Intermediate Certification from the Wine and Spirits Education Trust (WSET), a “certification in first globally-recognized course” as an American Wine Specialist ® from the North American Sommelier Association (NASA), Level 1 Sake Award from WSET, was the subject of a 60-minute Wine Immersion video, authored “Wine Etiquette for Everyone” and has served as a judge for the Long Beach Grand Cru. You can email Eve@EveWine101.com to ask a question about wine or spirits.

The House of Suntory Tasting with Brand Ambassador Jonathan Armstrong

January 1, 2021 by evebushman

The Southern California Whiskey Club had a special Friday night event with brand ambassador Jonathan Armstrong guiding us through the history and production of this famed Japanese company: The House of Suntory. “Founded in 1899 by Shinjiro Torii, the House of Suntory has pioneered the art of Japanese whisky. This event is for everyone interested in whisky, from veteran connoisseurs to beginners, and will include a short Japanese whisky 101 portion to provide an introduction to the category.”

I had read two books on Japanese drinks, one completely devoted to whisky, to delve deep this is a link to my review of the book Japanese Whisky by Brian Ashcraft. Some of the same points were made by Armstrong: including, among other things, the use of Japanese white oak Mizunara casks and plum wine casks, and learning about Masataka Taketsuru, the founder of Nikka Distillery, who started his career in Scotland learning all he could about making whisky. From there he became the first distiller in Japan – at Suntory’s Yamazaki Distillery.

Armstrong also explained that Torii founded Suntory in 1899. The name Suntory is a nod to the Land of the Rising Sun (Japan) and Tory (Torii himself). In the beginning whisky was used for medicinal purposes. The imported Scotch whisky, blended it and sold it to their customers – including Taketsuru.

In 1907 they invented a “port wine” that was a blend of sherries and became a success. With the money they were making they were able to start the distillery in 1923. It was then that Torii went to both Scotland and France to learn what he could about both whisky and wine making. Consumption hit a high point in 1972 and they built a new distillery to meet demand.

Now, onto the tasting!

Suntory Whisky Toki is a blended whisky, with a very light color, notes of cream, toast, apricot and apple. The Hibiki Harmony blend was made with five different types of casks, and exhibited aromas and flavors that included sweet caramel, roasted nuts and vanilla bean. Next we sampled the Hibiki 12 Year Old, a blended whisky that is no longer made! Another blend of whiskies and casks, this time three different ones, gave the whisky notes of smoke, almond, fruit, spice and mild salinity. The Yamazaki 12 Year Old had a really different nose from its predecessors: dried plum, berries, pipe smoke, kernel and cream.

Finally, the dram a lot of us were waiting for, the Yamazaki 18 Year Old was next to try. Armstrong explained that the 18 YO has a different recipe each time it’s made. He said it isn’t just the 12 YO with another 6 years. Destined to be my husband’s overall favorite, while I was quite happy with the Hibiki Harmony, the Yamazaki 18 YO was rich and layered, slight notes of golden raisins and a very full mouthfeel.

Taking a breath, and with two more whiskies to go, we jumped to the Hakushu 12 Year Old. This tasted a little peaty to me! Eddie thought I was nuts but lo and behold Armstrong said that the “bonfire” smoke was definitely there. Also contributing to the whisky were spicy hickory notes, one taster said it reminded them of beef jerky. And, finally we were on to our last whisky, the Hakushu 18 Year old. This last dram was all caramel, mango and mint – quite interesting and a nice finish to the tasting.

Suntory website [link]

Eve Bushman has a Level Two Intermediate Certification from the Wine and Spirits Education Trust (WSET), a “certification in first globally-recognized course” as an American Wine Specialist ® from the North American Sommelier Association (NASA), Level 1 Sake Award from WSET, was the subject of a 60-minute Wine Immersion video (over 16k views), authored “Wine Etiquette for Everyone” and has served as a judge for the Long Beach Grand Cru and the Global Wine Awards. You can email Eve@EveWine101.com to ask a question about wine or spirits.

Vintage Eve Circa Nov 2017: Tasting the Double Gold San Francisco Competitions at République

September 1, 2020 by evebushman

At the end of October I had a chance to taste a selection of Double Gold winners from the 2016 and 2017 San Francisco International Wine Competition and the 2016 and 2017 San Francisco World Spirits Competition.

The San Francisco Competitions 2017 Double Gold Tour gives wine and spirits professionals a unique opportunity to taste the Competitions’ top winners and to discover the next trending tastes, styles, and varietals we’ll be seeing in 2018.

At the LA stop on this year’s multi-city tour, the San Francisco Competitions are proud to also offer a seated seminar showcasing Double Gold winning wines and spirits. Join Executive Director Anthony Dias Blue as he gives you a glimpse of what goes on behind the scenes of the SF Competitions and walks you through the complexities of tasting wines and spirits like a competition judge.

Wine and Spirits…That I Took the Time to Taste and Loved (I did skip those I’ve already tasted too.)

Cakebread Cellars 2014 Chardonnay, Reserve Family Vineyards, Carneros, Napa Valley; Goodmills Family Winery 2013 Teroldego, Lodi; 1849 Wine Company 2014 Declaration Cabernet Sauvignon, Napa Valley; DeLille Cellars 2014 Cabernet Sauvignon, Four Flags Red Mountain; J. Lohr Vineyards 2013 Cabernet Sauvignon, Signature and Premium Bordeaux Blend Cuvee St. E, both Paso Robles; Ordaz Family Wines 2014 Zinfandel, Montecillo Vineyard, Sonoma Valley; IPPIN Junmai Sake, Tamasakee, Shiga Japan and Junmai Daiginjo Sake, Yamada Nishiki, both from Hyogo, Japan.

Mission Vodka, Arizona; Frey Ranch Gin, Nevada; Belle of Dayton Gin, Dayton Ohio; New Holland Brewing Knickerbocker Gin, Michigan; Vanagandr London Dry Gin, A Coruna-Galicia, Spain; Conniption Navy Strength Gin, North Carolina; Stonecutter Spirits Single Barrel Gin, Vermont; Tattersall Distilling Barreled Gin, Minnesota; Springfield Manor Lavender Gin, Maryland; Mad March Hare Small Batch Poitin, Ireland; Hyde 10 Year Old Pure Single Malt Irish Whiskey, Ireland; Rogue Dead Guy Whiskey, Oregon; Whiskey Del Bar Classic Cask Strength Single Malt, Arizona; from Paul John: Bold Indian Single Malt, Edited Indian Single Malt and the Peated Select Cask Indian Single Malt all from Goa, India; Starward Single Malt Wine Cask Whisky, Melbourne, Australia; Kings County Distillery Peated Bourbon, New York; J Henry and Sons 5 Year old Bellefontaine and Cask Strength Patton Road, both reserve straight bourbons from Wisconsin; One Eight Distilling United Whiskey No. 6, Washington D.C.; two Whistle Pig: the Old World Cask Finish Rye Whiskey and the 15 Year Old Rye Whiskey, both from Vermont; Sagamore Spirit Cask Strength Rye Whiskey, Baltimore.

Behind the Scenes with Anthony Dias Blue

Granted, I have judged a couple of times, as I’m sure some of the students in Blue’s class have done, but it’s good to be reminded just how serious the judging is.

When the competition began they had a scant 300 entries, now they are up to 2,400.

There are 60 judges in the process, and they are made up of experts (reviewers, writers, restauranteurs, somms, etc.) allowing each group to have a good representation in which to judge merits.

There are 28 countries from the current competitions.

While they usually receive more wine to review, there are still 80 – 100 spirits.

Judging is done blind, the bottles are not seen, and they don’t know the price or the area they came from – only the varietal is known.

As price is sometime a factor to the general public, and more expensive is perceived as more valuable, the price points of the wine and spirits are not revealed.

After the Double Gold winners are awarded, then all of the judges get to taste all of the Double Golds to determine the sweepstake’s winner.

Savor Japanese Craft Spirits: Shochu and Awamori at Japan House Salon

March 27, 2020 by evebushman

Boy oh boy, had an opportunity to learn from my favorite sake instructor, as well as taste tons of hard-to-find Awamori and Shochu alone and in cocktails. This was my social media post the day after:

“About last night…went to the @JapanHouseLA in Hollywood for a “fun evening of Japanese Craft Spirits”, specifically to learn about and taste distilled spirits Shochu and Awamori alone and in a wide range of amazing cocktails along with other interested press, bartenders and students. We also had a class on these spirits led by my former educator @Ueno_Toshio from @SakeSchoolofAmerica where we learned how they are made, where they are made, how to pair them and more…”

Spirits that stood out for me included Nankai Gold Shochu finished in oak casks, all of the Awamori made from Thai rice in Okinawa, different Shochu made from brown and black sugar as well as sweet potato, Yanagita Mizunara cask barley shochu, the Iichiko brand Saiten with 43% alcohol as well as their number one seller Silhouette and black bottle Kurobin with 25% alcohol. Remarkable Shochu cocktails included a highball, Manhattan and Old Fashioned. Photos can be seen here.

What I Learned from Instructor Toshio Ueno

Ueno grew up in a wine grape growing family that sold their grapes to wineries in Japan. This is where his interests began. He explained that Japan is the size of California, they get a lot of rain and temperatures range between 43 and 74 Fahrenheit. USA is the number one importer of Shochu. He described how distilled sake becomes Shochu, distilled beer becomes whisky and distilled wine becomes brandy. Shochu is unique in that it is only distilled once – which allows for the aroma, flavor profile and craftsmanship to stay true to the base grain or potato used.

From the Invitation: What is Shochu and Awamori?

Shochu is a popular distilled spirit in Japan that has been perfected and refined over the past five centuries, mainly in southern Kyushu. This spirit is made with a variety of ingredients such as sweet potato, barley, rice, brown sugar, and so on. A Japanese entrant in the 2018 Los Angeles International Spirits Competition received the Best Shochu award and won third place overall in the Spirits category.

Awamori is produced in Okinawa, Japan, and also boasts a long history, much like Shochu. Despite using rice as its main ingredient, it has a distinct fruity aroma (similar to apples or bananas), due to its unique atmospheric distillation method. Vintage Awamori that has been allowed to mature for three years or more is called Kusu, and it has a sweet and mellow vanilla-like aroma. Kusu, even with an alcohol level of over 40%, tastes mellow without a strong alcohol flavor and smells sweet.

japanesecraftspirits.com/

Eve Bushman has a Level Two Intermediate Certification from the Wine and Spirits Education Trust (WSET), a “certification in first globally-recognized course” as an American Wine Specialist ® from the North American Sommelier Association (NASA), Level 1 Sake Award from WSET, was the subject of a 60-minute Wine Immersion video (over 16k views), authored “Wine Etiquette for Everyone” and has served as a judge for the Long Beach Grand Cru and the Global Wine Awards. You can email Eve@EveWine101.com to ask a question about wine or spirits.

46 new members join the Native Grape Odyssey

January 8, 2020 by evebushman

VERONA, ITALY (PRWEB) – The Native Grape Odyssey (NGO) Maestro course in Tokyo which ended on December 6th, 2019, marked the last educational initiative of the Native Grapes Academy (NGA) project for the current year. The course took place over five days, similarly to the previous Canadian (15-19 September) and Russian (28 October – 1 November) editions. After four intense days of lectures and tastings on Italian and Spanish wines and grape varieties, participants took a final exam consisting of theory questions and the tasting of a red and a white wine. Upon successful completion of the course, 46 participants obtained the “European Quality Wine Hero” title, with the “hero” appellation symbolizing the role that these trained experts will have to fulfil to represent Italian and Spanish wines among consumers in Japan.

Participants were selected among all applicants for their knowledge of Italian and Spanish grapes and wines. The course served the purpose of providing additional, in-depth knowledge about these two viticultural traditions. Kaitani Ikuko, journalist and author of Italian wine and food publications, commented, “I feel like all the scattered knowledge I had gathered occasionally during my winery visits in Italy, one-day seminars, and through books has now finally come in an orderly manner.” Many participants also commented on the uniqueness of the NGO Maestro Course in the Japan market for its thorough analysis of all regions as well as treatment of wines and grape varieties that are little-known internationally.

The training provided by the NGO course as well as the inclusion of participants in an international community will allow to create official representatives of Italian and Spanish wine in Japan. Roddy Ropner, director of Wellspring Wines and teacher of the NGO Japan course, stated, “I think there is already a high level of knowledge on Italian and Spanish wines in Japan, but the market seems to be stable. Especially for the Italian wines, most of the sales seems to be concentrated on Italian restaurants. What we can try to do is creating more opportunities to sell to private customers and also more opportunities to sell to Japanese restaurants. That’s why we need ambassadors of the Italian and Spanish wine quality.”

Regarding Spanish wines in particular, Ropner added, “I think that one of the troubles with Spanish wines is that there have been a lot of changes in the last 20 years, so the styles have changed quite a lot; you’ve gone from traditional styles to modern styles. So often it’s difficult to know what to expect from wine, and this can create confusion for the consumers. NGO Maestro participants have now acquired the knowledge to demystify it for the public.”

Irving So, instructor at the Academie du Vin and co-teacher of the NGO Maestro Japan, also provided his insights into the perception of Italian and Spanish wines in the Japanese market and the importance of education, “In Japan, usually what is sold is the best-known wines, like Brunello or Nebbiolo. However, there are so many wines of high quality that are still not known in this country. We need experts that know the grapes well and can be ambassadors of Italian and Spanish wines.”

Another important learning moment of the NGO week was the Walk-Around Tasting, which took place on Friday December 6th. Whereas during the course students tasted one major example of a wine coming from a specific denomination, in the Walk-Around Tasting additional wines from the same denomination were made available, thus allowing students to fully understand the diversity of styles and wine-making techniques. Moreover, this event gathered more than 100 wine experts and trade professionals working in Tokyo and furnished them with the opportunity to network and meet local importers. Wines for the tasting were provided by leading food and beverage import companies in Japan along with wine trade associations.

The Tokyo event marked the end of the NGO initiatives for 2019, yet for 2020 the project will increase its activities scheduling wine seminars and Walk-Around Tastings in 5 different cities for each target country (Canada, Japan, and Russia) for a grand total of 15 high-level training and tasting events. In 2020, moreover, the NGO Web App piloted in 2019, will be further expanded. The App allows users to create and share tasting notes and stay in touch with the community of course participants. Additional information on NGO activities can be found on the official website nativegrapeodyssey.com and by following the project’s social media channels.

About: Native Grape Odyssey (NGO) is a brand of the Native Grapes Academy (NGA) project. NGA is a project financed by the European Union and managed by Unione Italiana Vini and Interprofesional del Vino de España (OIVE) for the promotion of PDO and PGI European wines abroad, in particular in three countries: Japan, Canada and Russia. In order to achieve this, the NGA educational program will organize wine seminars, workshops and b2b meetings both in these countries and in Verona, Italy, inviting wine experts and influencers from these countries. These events realized across the span of three years (2019-21) aim to create awareness about European native grapes abroad, as well as the wines produced from them, in particular Italian and Spanish wines, which share a long tradition and a high standard of quality.

Tenjaku Awarded 2020’s Best Japanese Blended Whisky

January 4, 2020 by evebushman

ATLANTA (PRWEB) – Tenjaku Whisky, an emerging brand of Japanese Whisky in the US, is proud to announce that they were recently awarded the Gold Medal in the Japanese Blended Whisky category by Beverage Testing Institute. Their 91 rating (exceptional) makes Tenjaku the 2020’s Best Japanese Blended Whisky according to the Beverage Testing Institutes’ annual review.

The rating is based on a scoring of objective quality from a blind panel of top spirits experts and trade buyers. Panelists’ evaluation included consideration of flavor, aroma, color, intensity, smoothness, balance and more. In their final assessment of Tenjaku Whisky, Beverage Testing Institute declared that Tenjaku was “a rock solid Japanese blended whisky with nice balance; a good bridge for traditional Scotch whisky drinkers.”

“This is an incredible honor for the brand,” says Craig Kodish, Managing Director of Tenjaku Whisky USA. “To earn this kind of recognition in its first year here in the US is very rewarding for everyone associated with the brand. Tenjaku is poised and positioned to build upon this success in the years to come.”

About Tenjaku Whisky

Tenjaku Whisky is a Japanese style whisky that provides a pure, mellow flavor to suit any drinking style. By utilizing only the highest quality ingredients derived from the natural environment, Tenjaku Whisky is smooth and refreshing whether poured on the rocks or mixed into a signature cocktail. Inspired by Master Blender Kenji Watanabe and his passion for craftsmanship, Tenjaku Whisky is created in the shadow of Mount Fuji using the highest quality spring water on Earth. The water used in every bottle of Tenjaku is filtered through volcanic rock until it meets their standard for dilution. This is how Tenjaku Whisky is able to provide a whisky that is bold while maintaining its balance and smoothness. It is imported into the US by MHW, Ltd. Manhasset NY.

To learn more about Tenjaku Whisky or to see where Tenjaku Whisky is sold, visit https://tenjakuwhiskyusa.com.

About Beverage Testing Institute

Founded in 1981, Beverage Testing Institute is an independent organization providing reviews and evaluations of beers, wines, and liquors from around the world. Scoring for their annual surveys are conducted by an expert panel of professional retailers, restaurateurs, journalists, buyers, bartenders, sommeliers, and Cicerones using a rigorously screened and audited proprietary blind tasting methodology to ensure impartiality.

Tastings.com serves as the primary publication outlet for all materials pertaining to Beverage Testing Institute.

WhistlePig Rye Whiskey The Boss Hog 六 Edition ‒ The Samurai Scientist

December 5, 2019 by evebushman

SHOREHAM, VT. (PRWEB) – WhistlePig, the No. 1 distiller in the fast growing, ultra-premium and luxury rye whiskey category, 1 is pleased to introduce their newest edition of The Boss Hog: The Samurai Scientist. Now available for pre-order via Caskers, The Samurai Scientist is a sixteen-year-old, single barrel, straight rye whiskey that is powerfully complex and distinctly unique from anything WhistlePig has introduced before.

The Samurai Scientist is named for a legendary Japanese chemist, Jōkichi Takamine, the pioneer who introduced koji fermentation to the American whiskey industry in the 19th century. The limited-edition whiskey is the embodiment of a genuine collaboration between WhistlePig’s team and Japanese brewers from Kitaya, an award-winning sake, shōchū and umeshu producer located near Yame City in Fukuoka Prefecture on Japanʼs Kyushu Island. The umeshu used is Saikoo, a uniquely traditional, aged umeshu made by Kitaya. The whiskey was distilled in Canada using koji fermentation and aged for sixteen years before being finished in umeshu seasoned barrels and bottled by hand on the WhistlePig Farm in Shoreham, VT.

“It was an honor to work alongside the team at Kitaya to bring this collaboration to life in the form of the first American whiskey finished in Japanese umeshu barrels. With the introduction of The Samurai Scientist, WhistlePig continues to pave the way for innovation across the rye category,” says Jeff Kozak, CEO, WhistlePig. “Dave Pickerell committed to five promises for The Boss Hog, including being distinctly unique from anything we’ve done before. He had a thirst for exploring and trialing techniques from around the world, and Takamine was likeminded in propelling whiskey innovation across continents. This vision continues to drive us to explore beyond the limits of American Whiskey.”

“We finished one of our oldest whiskeys in barrels that held Kitaya’s eleven-year-old umeshu. With umeshu being an intensely aromatic spirit, it does not take long to impart deeply complex flavors. Each barrel of The Samurai Scientist is bottled at proof. Only 90 barrels exist and each bottle notes the barrel number and proof, ranging between 120 – 122,” says Pete Lynch, Master Blender, WhistlePig.

On the nose, The Samurai Scientist is intensely aromatic, with cinnamon, maple syrup and toasted marshmallow. Upon tasting, you’ll find bold notes of tobacco, ginger, baking spices and savory umami. After some time in the glass, and with a few drops of water, the whiskey reveals rich and complex notes of rye spice, oak char and vanilla. The finish on The Samurai Scientist is incredibly long, with oak spice, char and just a touch of smoke.

The Samurai Scientist is crowned by a hand-made Danforth pewter stopper representing Takamine’s family heritage and ground-breaking contributions in the field of chemistry. It is presented in a gift box elaborating his story.

The Samurai Scientist is available in a 750ml bottle at 60 – 61% alc./vol. with a suggested retail price of $499.99. Like the other Boss Hog editions before it, The Samurai Scientist will be sold at a variety of premium liquor stores, bars and restaurants across the United States, entering select international markets in the coming weeks, and is now available for pre-sale via Caskers.com.

About WhistlePig

Founded in 2008, WhistlePig is the premier aged rye whiskey, featuring the bold and often untapped flavor of rye. WhistlePig is leading a surge of innovation in the emerging field of North American whiskey. As the most decorated rye whiskey – having received the coveted ‘Best in Show Whiskey’ title from the 2017 San Francisco World Spirits Competition, WhistlePig is widely viewed as the world’s finest Rye. With the opening of its distillery on its 500-acre Vermont farm in the fall of 2015, WhistlePig has also become one of the leading farm-to-bottle rye whiskeys in the world. http://www.whistlepigrye.com

(1) Ultra-premium and luxury rye category defined as all rye whiskies in the U.S. sold at $75 or higher per 0.75L bottle at retail (Source: IWSR 2016)

More to Learn: Japanese Whisky by Brian Ashcraft

October 4, 2019 by evebushman

On September 27 I did a review of the book Japanese Drinks on this website; today I have a second book on Japanese Whisky alone for you. Similar in format with lots of glossy photos and understandable text, I was impressed with the work of the Japanese distillers and distilleries, their challenges, the differences between them and their Scottish counterparts and some amazing reviews of many whiskies made by six of the leaders.

Some of the information on whisky was covered in the first book I reviewed so I will limit my review to what was new for me to share with you from this second book:

Between 2001 and 2017 Suntory and Nikka whiskies have won over a hundred accolades from prestigious international competitions.

Instead of adopting the spelling as “whiskey” like we do in the states, Japan uses “whisky” along with Canada and Scotland.

Some distillers started out as sake brewers, some continue to make both (sake is traditionally only made in the winter months). Some copper stills were used for shochu making before they were used for whisky. Many big distilleries have their pot stills made in Japan (and their own cooperages) while smaller ones rely on imports. Most distill the spirit only one time.

There are “Japanese twists” to not doing everything the Scottish way in malting, fermentation, distillation, maturation and more. Most malted barley is imported. Most whisky is colored with natural caramel food coloring.

Japanese whisky was first exported to the U.S. in 1934, a year after the end of prohibition. It wasn’t very popular, and with the onset of World War II this grew worse. However, during this period it grew in popularity in Japan.

Japanese whisky is considered “highly aromatic and floral.”

Some Japanese blenders eat the same food for lunch every day to “ensure a consistent” palate. Others avoid fish due to the oils and garlic for its lingering quality.

Mizunara, a rare Japanese white oak, is sometimes used for casks. The word “mizu” means water that the oak retains and “nara” means oak. This Japanese oak was originally used as sherry casks were hard to get in Japan during World War II. The oak is known to “expand the range of flowers” and other aromas in the whisky. There are downfalls: the wood is difficult to work with and all will leak at some point.

At Suntory Yamazaki Distillery they are experimenting with plum wine casks (the also make plum wine) for the finish on some whiskies. They are also aging some whisky in cedar casks.

Masataka Taketsuru, the founder of Nikka Distillery, started his career in Scotland learning all he could about making whisky. From there he became the first distiller in Japan – at Suntory’s Yamazaki Distillery.

Venture Whisky Chichibu Distillery has planted their own Mizunara trees – unfortunately they won’t mature for use for at least 150 years.

Currently there are ideas on using local peat, other local woods and Japanese barley. Smaller distilleries are exploring the idea of working together.

Whisky Reviews

The over 100 reviews are by leading Japanese whisky blogger Yuji Kawasaki. I found these most interesting as some of the descriptors were familiar as ones I’ve used before but others, more in the line of calling up a memory, were not familiar as I don’t live in Japan. Some of my favorites include:

It’s Japanese sliding doors, a tatami room with a flower vase in an alcove and a bird fluttering from a branch. In a whisky, it’s rare to see such beauty as this. Hibiki Deep Harmony.

…it’s rose thorns and faint smoke for an experience that’s reminiscent of hazy sunlight in a gloomy sky. Miyagikyo Single Malt (no age statement).

…it’s like a bouquet of flowers was chucked out of the glass and directly in your face. Miyagikyo Single Malt, 15 YO.

There’s Japanese incense as well as a chalky notes that is reminiscent of the lime powder used on baseball fields. The Nikka Whisky 1999, 34 YO.

There’s a warm bushel of flowers and a slightly open wooden gate leading into a house with a dining table. On it there are grapes and pears waiting to be devoured…Ichiro Malt Five of Spades.

It passes through like an arm going into a sleeve until its one with you in a relaxing and natural way. Ichiro’s Malt Two of Clubs

These descriptions made my mouth water, what about you? Get your book here à https://www.tuttlepublishing.com/japan/japanese-whisky

Eve Bushman has a Level Two Intermediate Certification from the Wine and Spirits Education Trust (WSET), a “certification in first globally-recognized course” as an American Wine Specialist ® from the North American Sommelier Association (NASA), Level 1 Sake Award from WSET, was the subject of a 60-minute Wine Immersion video (over 16k views), authored “Wine Etiquette for Everyone” and has served as a judge for the Long Beach Grand Cru and the Global Wine Awards. You can email Eve@EveWine101.com to ask a question about wine or spirits.

I Learned a Lot: Japanese Drinks by Stephen Lyman and Chris Bunting

September 27, 2019 by evebushman

I had titled this review before writing it, then I read this very educational and entertaining book and had to make a change because, well, I learned a lot about Japanese drinks yes, but also about the history and drinking culture in Japan. I found myself taking copious notes – some of which I will share in bullet points below – as well as a shopping list and travel plans. This is what I knew from the publicist:

The Complete Guide to Japanese Drinks: Drink your way through Japan (even from home) with the help of: The Complete Guide to Japanese Drinks! This comprehensive survey of Japanese drinks covers all the main types of beverages found in Japanese bars and restaurants, as well as supermarkets and liquor stores around the world (including Sake, Shochu, whisky, wine, beer & fruit wines). Descriptions of the beverages, their history, production method, current trends and how to drink them are provided. Detailed bar and buyer’s guides list establishments where readers can go to enjoy and purchase the drinks, both in Japan and cities around the world!

My Review

As I said above I learned a lot. The authors, Stephen Lyman and Chris Bunting, shared all of their information clearly so that anyone from a student of wine and spirits to wine and spirit lovers – that might just want to travel to Japan – would find more than helpful. Chock full of professional photographs, this was one of the best “textbooks” I had the pleasure to read in a long time.

These are a few takeaways for wine 101ers:

First off, you won’t “get lost in translation” as can happen with some book translations, as the authors are American and English.

Japan’s alcohol traditions date back two thousand years. A Chinese author made the first written record in 297 AD.

Early beer brewing was often done at home due to alcohol taxes and regulations. Beer remains the most popular drink in Japan. However, depending on what part of Japan you are in you may find the locals prefer shochu, sake, or wine.

Fermented rice for making sake was originally fermented through human chewing. Steamed rice goes in, spat out into a communal jar, by end of the day the saliva from chewing creates enzymes that turn the starch to a sugar, and yeast begins making it all alcohol – to be consumed that same evening. Wait a week and the concoction would create a beer-strength drink. Google the word for mouth-chewed sake if you like: kuchikamizake.

The word “sake” in Japan refers to all alcohol. Japanese use the word “Nihonshu” to refer to brewed rice sake.

Shochu is a Japanese distilled spirit that can be made from anything that can be distilled; most common is sweet potato, followed by rice and barley. An interesting one to find is the “black-sugar” aka “kokuto” in Japanese – it’s made from blocks of sun-dried molasses found in the Amami Islands. (Note: I’ve sampled a few sweet potato shochu at Japanese trade shows and always look forward to trying them.)

Shochu is distilled three times more in Japan than Tequila is in Mexico. And Shochu is mostly all consumed in Japan.

The spirit Awamori is referred to as “Japanese moonshine” in the book. We get the history, who drinks it (originally for aristocrats) and learn that it’s stronger than Shochu.

In 1853 Bayard Taylor, an American, said that Awamori tasted “old and mellow with a sharp, sweet unctuous flavor, somewhat like a French liqueur.”

Umeshu is a category of plum liqueur as well as for other fermented fruits drinks. The “ume” plum is the most common, a green pickled tart plum, sugar is added during the fermentation process. Many Japanese make the drink at home.

The two early giants in the Japanese whisky market remain the same: Suntory and Nikka. At one point in the early 70s Japan was the fourth largest whisky producer worldwide, and producing three times as much as Ireland. Currently they are garnering more attention for several awards for aged whiskeys.

There is a shout out and recommendation in this book to read the next book I’m reviewing: Brian Ashcraft’s Japanese Whisky.

Gin distillers use the required juniper but they also may add in green tea, bamboo leaves and ginger.

Over 100 beer breweries were open in Japan by the end of the 1800s, two today still stand: Sapporo and Yebisu. Craft breweries began popping up in 1994 as the Japanese minimum production laws changed.

Japanese wine is made most often from Koshu (a white grape varietal – and not the same thing as Koshu aged alcohol) or Muscat Bailey (the red grape varietal). There are many domestic sweetened and inexpensive wines. Manga (adult Japanese comic books) have made huge inroads in creating a desire to learn and taste more Japanese wines.

Cocktail making can be traced back to one bartender that opened many bars – the first without hiring costly entertaining hostesses – trained many bartenders, created an association of bartenders, created a bartending school and focused on professionalism: Tatsuro Yamazaki.

Sake, Shochu, Awamori and Japanese Whisky can be served many different ways and the book goes into detail the differences in each. How each is made is also a good part of the book.

The last two sections of the book is a global bar guide and shopper’s guide – both worth examination if you are looking for a particular Japanese drink near you.

About the Authors

Stephen Lyman interned for a sake distillery in Japan before becoming the first graduate of the Sake School of America’s Shochu Adviser Course and a kikisakeshi (sake sommelier) through Sake Service International. In 2016 he was named the first Honkaku Shochu Ambassador by the Japanese government through the Cool Japan program.

Chris Bunting has worked in London and Japan for publications including the Asahi Shimbun, Times and Independent. He developed his love of Japanese alcohol while living in Tokyo and is the author of Drinking Japan.

Get yours here à https://www.tuttlepublishing.com/japan/the-complete-guide-to-japanese-drinks

Eve Bushman has a Level Two Intermediate Certification from the Wine and Spirits Education Trust (WSET), a “certification in first globally-recognized course” as an American Wine Specialist ® from the North American Sommelier Association (NASA), Level 1 Sake Award from WSET, was the subject of a 60-minute Wine Immersion video (over 16k views), authored “Wine Etiquette for Everyone” and has served as a judge for the Long Beach Grand Cru and the Global Wine Awards. You can email Eve@EveWine101.com to ask a question about wine or spirits